Elliott has already turned the corner by the time he recognizes the slick noises in the air. Heat rushes his face, breath catching in his throat as he finally sees the farmer. The man is standing at the fence surrounding his processing equipment, sunlight streaming down between the leaves of the surrounding fruit trees, face slightly flushed as he murmurs something soft to the body beneath him, fingers knuckle deep as their voice breaks on a moan that floats in the air like dandelion fuzz on a breeze.

Sebastian has two exes: Abigail, because he isn’t into women, and Sam, because he isn’t into men either. This doesn’t stop Sam and Abigail—now dating each other—from dragging Sebastian along when they move into an abandoned farmhouse outside of town. They’re exes, they’re best friends, and now they’re building something new that’s greater than the sum of their history. Sebastian is in for an adventure of domesticity. Or: Nobody else moves into the farmhouse and overthrows JojaMart, so the band has to do it themselves.