White House AU.

When one is the male princess of a magical kingdom, few things come as a surprise anymore. Princess Gerard Way of the kingdom of Belleville sets out on a quest to fulfill a prophecy and encounters dragons, climbs mountains, runs from volcanoes, banters with King Peter of Wilmette, and finds true love along the way.

“Okay, this is what I’ve figured out so far. I’m stuck in some sort of hell that looks vaguely like a Sandra Bullock movie.”

Various bandom men in slash parings at lamaze classes.

Pete sometimes wanted to form an "only-boy-in-the-band" club. He could ask Ryan to join.

Bren really can't be gay. She's a cheerleader! So she doesn't know what she's doing at this silly camp for homosexuals.

Pete probably shouldn't have told the world that Patrick Stump had no game, and he *definitely* shouldn't have told Panic at the Disco. When he overhears Patrick doing damage control by the most efficient and evil method, his brain veers straight into the gutter. In typical Pete fashion, he is totally unable to conceal his... distraction from Patrick, and as a result, ends up doing a lot of flailing, panting, and beelining towards his room. Because Patrick Stump is an evil mastermind, and he knows exactly how to make Pete admit the error of his ways.

Jane Austen AU. There’s a wedding, heartache and matchmaking, and it all happens in the 19th century England. It all made perfect sense in my head.

“Don't tell me I should be their manager,” Ryan says, glaring at the road. Pete pauses. “Ok. Well, I was about to, but I guess you already know.”

Pete sat on the hotel bed and tried to watch Patrick surreptitiously to see if Patrick was maybe surreptitiously watching him back. But he really, really wasn't. Pete knew he looked good – he'd made sure of that in the bathroom mirror before coming out into the room. The white hotel towel made his skin look even darker and his tattoos looked awesome against it all. He was clean and slightly – sexily – wet from the shower. His hair was pushed back (but messily rumpled too) and he smelled amazing. Patrick was straight in the most annoying way.

It was just an experiment. It wasn't like Pete was planning on reading this stuff for pleasure, right? So that made it okay. Otherwise known as "Pete ventures into fandom."

"One last question for Spencer and Jon," the polite, really short British interviewer said. "How does it feel to know that your fans have thrown their full support behind your relationship?" Spencer fell off arm of the sofa he had been perched on.

Mobsters and hoodies and Vegas, oh my! AU.

Pete’s having way too much fun with Brendon’s power. Over the course of dinner he’s stolen people’s lasagna (and he’s given them all to Patrick—it’s ridiculous because the two of them are surrounded by a lasagna mountain), made Gabe dance, even through it wasn’t all that hard to convince the school’s elastic man to dance, in retrospect, and he’s also convinced Gerard that Frank’s name is really Sir Dipshit Esq. (which Spencer thinks went just a little too far).

Where Spencer and Ryan go on a vacation to the Caribbean, and get swept away to the 18th Century during the American Revolution.

Ryan Ross had been able to hear Spencer Smith in his head for as long as he could remember. Well, not exactly hear. It wasn’t like he was telepathic, there was just sort of a buzz, a sense of Spencer Smith’s presence. Over the years, it had become like white noise, just there in the background. Ryan couldn’t imagine what it would be like not to hear Spencer all the time, anymore than he could imagine not longing after Spencer.

Ten times Disney did it best.

“I think Ryan’s dead,” Brendon said, nodding solemnly. “I’m waiting for Frank to stop by, because I don’t want to be the one who finds his body.”

Patrick is a widower and young father. Pete is an advertising exec with a failing relationship. When Patrick's daughter makes a call to a radio shrink, lives intersect and shenanigans ensue.

A mannerpunk!au, set in the capital city of Jersea, where society's finest mix and mingle. Mikey has just seen his brother and best friend off on their honeymoon when he learns he's to be married. His match is a sailing captain named Robert who brings along his butler Patrick and jealous best friend Brian. Through walks in the park and days in the library though, Brian and Mikey find they like one another more than they thought.

Spencer has always known there was something off about the DecayDance family. It doesn’t bother him, there were times when he’s felt inexplicably more comfortable around them than out in public. This doesn’t stop him from thinking well, shit when he rounds the Fall Out Boy bus to see Pete plastered to the side of the bus, hands and mouth thoroughly occupied by a short, and unmistakably female person, then have Patrick look up at him.

Brendon is a governess with a disgraced past (dallying with a stable boy!), who comes to teach the young cousins of Sir Spencer Smith. Sir Spencer is amused by this bouncy young man, whose enthusiasm is both strange and strangely appealing, but who manages to hide questions about his past with unexpected smoothness. Consequently, Sir Spencer finds himself paying far to much attention to Mr Boyd’s secretive manner as well as to the way he fills his regrettably old and worn clothes (his breeches being far too tight and not quite fitting right). Furthermore, Sir Spencer's oldest friend, the dissolute Lord Ross, is trying to woo, unsuccessfully, his estate manager Mr Walker. despite the tumultuous passion between them, Mr Walker refuses to give in to Lord Ross's advances as long as Lord Ross refuses to admit that it is more than a tumble in the hey that he wants from Mr Walker. Fortunately, Walker is a patient man and willing to wait while Ross goes through his tantrums.

"What do you want for your birthday, Mr Smith?" "The Mona Lisa." "What...like the painting?" Nobody ever says no to Spencer. Even when he wants something crazy like The Mona Lisa. He collects a group of ten con artists, thieves and rogue government workers to pull off the biggest art heist in history. If it fails...well, Spencer doesn't think about things like that.

Saving And Being Saved: "Five boys and Battle School. Nobody is satisfied, but one can imagine Graff doesn't care." Fangs Up: "Someone finally takes notice of the fact that Gabe Saporta says he spoke to a snake." One Man Band: "It takes Spencer a while to figure it out, but he doesn't let it change how he behaves when he does." Patrick Stump's Strip Joint, or The One Where They're All Strippers Apart From Patrick Who Has Taken Up Handicrafts (Not Like That): "The one where they're all (pretty terrible) strippers, Patrick owns the strip joint, and his therapist has suggested he take up a hobby."

Apartment building AU! So, um, if you're familiar with my epic DT? This was kind of written like that, only at a much, much smaller scale. If you're unfamiliar, it just means that it's a whole bunch of scenes strung together by a whole bunch of characters. I pretty much throw you into the deep end and you have to swim out. Everyone is weird.

Um, Daemons! at the Disco! Or something. In other words, an AU set within the general timeframe of Panic's Nothing Rhymes With Circus tour.