Jeff has a weakness for adorable and Abed knows it.

“Okay,” Troy says, “I am not a Magical Negro. I just happen to have special abilities that I use to heal a large number of white people and oh.” “See?” Britta says. “Fight the power, Troy!” (Or, the one where Troy being the Truest Repairman turns out to be way more trouble than it's worth.)

Mid-season three, Abed discovers and addresses Jeff’s ongoing depression using Twitter, Batman analogies, media analysis, buttered noodles, and shadow puppets.

Graduation day should ideally include two hook-ups, a thrown punch, a massive secret, and a proposal, but apparently they’re all going to have to settle for Britta’s eyebrow piercing and the revelation that Jeff’s a Brony.

Nadir’s body of work has been examined before—and in much broader and deeper contexts than this blog!—most notably in 24 Hours to Live, the collection of essays edited by Rachel Baxter, and his own What I Thought About the Movies I Made: The Abed Nadir Story—but for those of you already saying tl;dr, here’s an abbreviated summation of how auteur theory lets us realize the true brilliance of Nadir’s filmmaking.

But she would be damned if she would let Andre take her legs out from underneath her.