“I haven’t…” she starts, watches his blue eyes narrowed in concern and it’s distracting, everything’s distracting. “I haven’t had a body in a hundred years,” Zelda manages, and shrugs one shoulder, as if to say what can you do? “I was Hylia, mostly, and a little bit me, but I wasn’t a person. I was the sun and the wind and the water and the dirt and I was in a prison and I was the prison. I feel like I’m blindfolded, now, without that sense of the world, but also everything is so bright and loud and close and I hardly know how I’m managing to speak to you when my skin is feeling wind for the first time in a century. It’s…” she trails off, her words failing her, which is infuriating because she’s a scholar, she’s good at words. “It’s a lot,” she finishes awkwardly, for lack of anything better to say. Or: Learning to be a person again, after the end.

Slice of life, only the lives are Ed Elric's and Roy Mustang's. Politics. Violence. Stupidity. A lot of animals. True love(?). And of course like 4 separate instances of fake dating

Ed doesn't know how he got himself into this situation. And by situation, he means dancing the lead role in a ballet he barely knows.