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Honey, I Can See The Stars
"The most he'd ever cared about anything remotely related was his uniform, which, beyond the stylistic, was pretty necessary. But now his suit comes from a lab far more advanced than the basement of a Brooklyn antique shop, and the only decision he really gets to make is if his pants are too tight. (They were, but he doesn't really think they changed them. He doesn't know why, but he thinks that might have been on purpose.) That being said, he doesn't know what he's done to deserve the double take Tony gives him as he walks in the room."
User Interface
Steve dares to stick his head into the workshop on a Tuesday which had so far been filled only with paperwork, and as soon as he actually comprehends what he's seeing, he kind of just wants to forget the filing and the G-33 forms and just stay down there forever.
While Everyone's Lost (The Battle Is Won)
Steve closes his eyes in 1945 and wakes up in 2012. Well. They certainly didn’t put that on the recruiting poster. [Companion to The Minor Fall, the Major Lift.]
A Long Parting
In which everybody loses their powers, Tony goes a little bit crazy, Natalie: Super PA! makes a reappearance, Clint shows off his super ninja spy skills, Thor fucks off back to Asgard, Steve is a tactical genius, Coulson not-so-secretly loves terrible television shows, nobody should ever be allowed to name anything ever, and there is an evil magical cult.
variable skill sets
In which Captain America can do (almost) anything, and Tonk Stark has daddy issues--who's surprised? Y'all can read this as being in the same 'verse as Ready, Fire, Aim, or not; to be honest, I haven't decided myself if it is or isn't.
momentum
It doesn't matter who you are; eventually, everyone's past catches up to them. This is Steve's side of the story Ready, Fire, Aim; you should probably read that before you read this.
A Very, Very, Very Fine House
The Avengers take initiative. Or, the story of how a group of remarkable people came together to drink cocktails, eat ice-cream and wait for Fury's call. Post-movie.
The History of Music
Tony is enlisted to help Steve Rogers acclimate to the modern world. Expect humor, friendship, muted drama, and page after page of awkward conversations. As of now, slash if you squint.
slipping through the years
The plane crash and subsequent ice might have killed him, but that doesn’t mean he isn’t still around, haunting those he cares about. And since the only person who can see him is Tony Stark, death sure isn’t going to be boring.
Living In The Future
Eighteen-year-old Tony Stark is the boy genius who woke Captain America, and now he's stuck with him. That's not a bad thing, but between Steve's wide-eyed wonder at the new world and Tony's little fanboy crush, the awkwardness just keeps happening.
Ironsides
Antonia Carter Stark takes no shit and no prisoners.
Ironsides
Antonia Carter Stark takes no shit and no prisoners.
The Once and Future King
A series of days in a new life. Captain Steven Rogers gets a little help adapting to the 21st century from Darcy and Wolverine, and Tony wonders when exactly he turned into the mature person in the room.
A Partial Dictionary of the 21st Century By Captain Steve Rogers, US Army
Steve is adapting well to the new millennium, and he has the dictionary to prove it.
Mutually Assured Satisfaction
Tony isn't so much introducing Steve to twenty-first century sex as enabling him. Steve already knows what he wants.
